YouTube Removes Viral ‘Malebo’ Cover After Faustin Munishi Alleges Copyright Infringement

YouTube has removed a highly anticipated cover of the gospel hit “Malebo,” performed by rising artist Hush BK and comedian DJ Shiti, after the original creator, renowned gospel pastor Faustin Munishi, accused them of intellectual property theft. The cover, which premiered globally on Friday, June 19, 2026, quickly went viral due to its modernized interpretation and high-quality production by videographer Danny Igiza.

Shortly after the release, Munishi publicly condemned the cover, asserting that the artists had used artificial intelligence (AI) tools to recreate his original vocals and instrumentation without obtaining his permission. In a widely circulated video statement, he dismissed claims that the cover was a tribute or promotional effort, emphasizing that his original “Malebo” track had already amassed over 10 million organic views and did not require further marketing.

“How can you make a video of someone’s song without permission and claim you are looking for Malebo and not the money from YouTube?” Munishi questioned, highlighting the unauthorized monetization of the cover on the platform. He criticized the younger generation for relying on AI to recycle established works instead of creating original content, urging them to embrace genuine creativity and respect for predecessors.

Munishi also expressed disappointment over the lack of cultural and professional respect shown by Hush BK and his team, noting that traditional African and industry norms require seeking the original artist’s consent before producing derivative works. He described the process of using AI to replicate his song and releasing it commercially without clearance as theft.

Following Munishi’s copyright complaint, YouTube executed a copyright strike that led to the removal of the expensive, high-production-value music video just days after its debut. This action effectively halted the commercial prospects of the cover on digital streaming platforms.

In response, Hush BK’s management entered negotiations with Munishi, culminating in an unreserved apology from the young artist for failing to clear publishing and mechanical rights prior to release. While Munishi accepted the apology to de-escalate tensions, he maintained a firm stance on protecting his intellectual property. The cover will remain off monetized platforms unless a formal licensing agreement, including revenue sharing, is legally established.

This incident underscores the evolving challenges faced by Kenya’s digital content creators amid the rise of AI technologies that facilitate remixing and sampling of classic works. It serves as a cautionary tale that copyright laws remain enforceable despite technological advances and that legendary artists will defend their creative legacies against unauthorized exploitation.

The “Malebo” cover controversy has sparked broader conversations within the Kenyan entertainment industry about the importance of respecting intellectual property rights and the ethical use of AI in music production. It highlights the necessity for clear legal frameworks and industry practices that balance innovation with the protection of original creators.

As AI tools become more accessible, this case exemplifies the critical need for artists and producers to secure proper permissions and licenses before releasing derivative works. It also reinforces the principle that digital popularity and viral success do not override the legal rights of original content owners.

The dispute remains a pivotal moment for Kenya’s music scene, reminding all stakeholders that honoring artistic ownership is essential to sustaining a vibrant and respectful creative ecosystem.